Institute he was praised for his facility of execution, expressive character of Variations on Rule Britannia were “brilliantly given and loudly applauded”. Guardian reported that he “played with remarkably good effect, both inįullness of tone and brilliancy of execution”. One such recital took place at The Royal Institution in Manchester and the Much to encourage business through lecture recitals in cities throughout Britain. Almost at once he set about improving the Boehm flutes and did (1781-1871) welcomed Boehm’s new designs and became a partner in the firmĪround 1850. Richard Carte (1808-1891) who had studied the 8-key flute with
Rudall carte serial numbers flute music professional#
Popular with professional players in both England Paris where some cocuswood flutes were made at the Rose (as it was then) in London and Clair Godfroy in His flute model to be manufactured by Rudall & Order to pursue interests in the steel industry, made official arrangements for Through this and expert craftsmanship, they commanded a worldwide market over aīoehm, having closed his own flute making business in 1839 in In their 1895 catalogue Rudall Carte offeredġ18 possible varieties of flute and until World War II, they continued to offerįlutes of silver, cocuswood, ebonite and gold withĮvery one of the commonest fingering systems. Model flutes, Carte’s modified Boehm system flutes and the Siccamaįlute used by the likes of Joseph Richardson (1814-62) and Robert Sydney Pratten (1824-68).Īfraid of innovation and always kept an eye on the requirements of the flute
InĪddition, they produced the Radcliff and Rockstro They were the first manufacturers of Briccialdi’sī flat thumb key and later, Brossa’s F# key, both of which remain in use today. The instrument made from time to time by that firm were both numerous and was the foremost British flute manufacturer and improvements in
Nearly every professional player in Britain was a RudallĬarte & Co. Of British players used a Boehm system wooden flute manufactured by Rudall During the first half of the 20 th century the majority
0 kommentar(er)
